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Chapter 3943 External Installation
Chapter 3943 External Installation
The halo was thrown and slowly floated behind Angel's head.
There was a circle of golden flames on the edge of the halo, which now emitted a quiet glow.
Moreover, the light wheel is still turning slowly and steadily.
From a distance, Ingres looked like a god descended to earth against the backdrop of the halo.
Angel looked up at Laplace, his eyes gleaming with a certain brilliance, and murmured: "Since you see the gods, why don't you worship them?"
Looking at Angel's sudden change of tone, Laplace felt a bold black question mark pop up on his forehead.
"…You are?"
Angel restrained his exaggerated expression, coughed twice, and said unnaturally: "Nothing, I just suddenly thought of a line from a play."
Laplace: “…”
She understood that Angel probably just came back from Benber's place, and the tone of his speech was affected.
“I almost thought you were influenced by Dark Logic.” Laplace shook his head.
"Dark logic?"
Laplace casually said, "You can understand it as uncharacteristic behavior, which is dark logic. This is what the Nonoan world says."
Ingres nodded in realization and did not ask any further questions.
Then he summoned his magic hand and removed the halo behind his head.
He just suddenly thought of a line, so he acted it out. It's like some people who pick up a perfect stick and can't help but say: If I had this stick when I was a child, the flowers and grass for ten miles would have been endless.
Pretty much the same truth.
However, apart from the sudden jump, there is a reason why Ingres used this light wheel.
"I want to test how far it can get away from the user."
Since you want to use the Light Wheel as a "live broadcast camera" that you carry with you, you must do your best.
For example, when it follows the "anchor", at what distance and direction does it need to be in order to achieve the best field of view?
To do this, Angle wants to test its data.
After listening to Angel's story, Laplace raised his eyebrows, thinking of the scenes when he watched Angel's "live broadcast" many times before.
I have to say that the images during Ingres’ live broadcast are truly works of art.
The audience doesn’t feel it’s a live broadcast at all, and even has a sense of being immersed in the scene, as if they are participating in it themselves.
But Laplace knew that this was just an illusion.
As she walked forward, she could not see the scene behind her, nor did she look up at the sky.
The bird's-eye views of the city, the blank shots of the sky, and the third-person perspective behind the camera were all deliberately done by Ingres when he used illusion to broadcast live to create a sense of immersion for the audience.
The perspective of the eyewitnesses is not as clear as that of the viewers who are watching the live broadcast.
"So, you tested this data to get Sigimund to learn what you mentioned before..." Laplace recalled and hesitated, "Lens language?"
Angel glanced at Sigimund, who was like an inverted triangle hill, and shook his head silently: "No, learning this thing is not something that can be accomplished overnight."
"I just want to try to see if I can modify this light wheel and make a 'plug-in'."
External hanging, referred to as plug-in.
At first Laplace didn't understand what it meant, but as Angel explained, she roughly understood.
It is similar to the tentacles that Angel created for the Unbroken Heart Mirror.
Functional equipment mounted externally.
In Angel's opinion, the "follow" skill of the light wheel is very good, which can ensure that it always follows Sigimund. However, if the light wheel is used as a live camera, the image projected onto the sea of empty mirrors will always show the back of Sigimund's head.
This obviously affects their subsequent appearance.
Therefore, in order to avoid this problem, he decided to modify this "live camera" and use illusion to add some external attachments to it. When Sigismund enters a dark corner, he can find the best lens position by himself without any operation from him.
Although Laplace understood what Angell meant, she still didn't quite believe it: "Is it really possible to position the camera in the best position by yourself?"
In her opinion, this should be designed with intelligence in mind, right?
After all, identifying the best lens position requires subjective judgment.
So, Angel was planning to use illusion to create a plug-in with intelligence? Is this really possible?
While testing the data of the light wheel, Angel said to Laplace: "You misunderstood. This has nothing to do with intelligence. What I mean is that the camera should always maintain the golden ratio between people and scenery."
"Although this method still cannot present the picture perfectly, and in some emergency situations, it may also cause confusion in the picture."
"But it's the only way I can think of to add visual appeal."
As for what Laplace understood as "intelligence", Ingres believed that it was "letting AI control the lens", which was very unrealistic... at least he had no way of creating an AI with a powerful lens language.
This requires massive amounts of data.
But as for the subject of camera language during live broadcast, Angel is probably the only one who understands it at the moment.
Even Jon is far inferior to Ingres in this regard.
So, where does the massive data come from to feed AI?
However, without the help of AI, Ingres's stupid method is barely feasible. At least in static images, the golden ratio of people and scenery is the most in line with viewing habits.
Ingres gave Laplace a long explanation, but she was still a little confused.
But this is not important, because not long after, Angel said that the data testing was completed and the "plug-in" was ready.
Angel just waved his hand, and a large number of illusion nodes appeared. Then the breath of the nightmare world merged into them, turning into countless leaping green lines.
These green patterns were arranged by Ingres on the light wheel.
After a slight flash, the green lines disappeared.
At first glance, the light wheel has not changed at all, but Angel said: "The light wheel has been arranged, and now it is the last step."
Under Laplace's puzzled gaze, Angel looked at Sigimund not far away.
From beginning to end, apart from glancing in their direction at the beginning, Sigismund paid no attention to their conversation. Instead, he lowered his head and eyes, probably simulating a battle in his mind.
"The main external device is placed on the light wheel, and we also need to place a traction external device on Sigismund. The two sides must form a cycle of repulsion and attraction to keep the golden ratio of the camera image."
It sounds a bit complicated...
But in reality, this application is simple for wizards.
For example, after some wizards enter the reading state, they will stick "circular silk thread" to all the books on the bookshelf. With the wizard's thoughts, any book can be easily pulled in front of the wizard, and can also be pushed back to its original place at will.
The "plug-in" created by Ingres also follows the same principle.
You don't even need to use fantasy alchemy, you can achieve the effect by just making a simple shell.
Therefore, the manufacturing speed of this plug-in is even faster than Laplace imagined.
A few minutes later, Angel not only left a traction plug-in on Sigimund, but also let him take a stroll around the Text Manor.
As Sigismund moved around, Ingres used illusions to simulate a "live broadcast".
This live broadcast image is the image presented when the light wheel is used as a "camera".
After seeing it, Laplace had to admit that the picture was very stable and the viewing angle was very high. No matter which direction Sigimund was facing, the light wheel could quickly capture it, making the picture show an excellent balance between people and scenery.
Of course, there are many flaws.
For example, the focus is all on Sigismund, and it is difficult to see any other scenes except Sigismund.
Also, once Sigismund moves quickly, the light wheel will constantly change its position in order to maintain a fixed position, so the picture will become a little skewed and awkward, and it will return to normal only when Sigismund stops or slows down.
However, these are harmless.
At worst, Sigismund could just hold the light wheel himself and change the angle of the camera when necessary.
Overall, Laplace highly approves of this "live broadcast screen".
She herself had seen various "live broadcast images" in the Sea of Empty Mirrors. There were many images with weird or normal perspectives, but there were few that made her feel comfortable watching them.
However, the live broadcast screen in front of her made her feel very comfortable.
Is this the so-called "golden ratio"?
In response to Laplace's question, Angel nodded: "Yes, as long as the proportions are right, it will look more harmonious."
And this harmony is why Laplace feels comfortable in his eyes.
Laplace nodded thoughtfully.
At this time, Sigimund also came back after a walk, and he now roughly understood what Ingres meant.
Although Sigimund was focused on the battle, he also understood the importance of the light wheel. Especially this time when he went to the dark corner, he needed to find intelligence and present the intelligence to the people outside through "live broadcast", and the importance of the live broadcast screen was increased again...
Therefore, in order to make the lens more expressive, Sigismund also asked Ingres for advice on what to do when encountering a scene that does not fit the "golden ratio".
Angel didn't say anything immediately, but asked Sigimund to log off and go to the Modern City dungeon first.
It’s not too late to talk about it after we reach the hidden waters.
Sigimund logged off immediately without saying a word.
Angel looked at Laplace and asked, "Do you want to go and take a look?"
Laplace had actually wanted to go to the Modern City dungeon a long time ago, but there were too many things going on outside, and once he entered the dungeon, it would be difficult to get out before clearing it.
Thinking of this, Laplace's heart became tangled again.
At this time, Angel suddenly said: "If you are worried that you won't be able to come out in a short time, you don't have to worry about that."
Laplace was stunned: "Huh?"
"I have a way to get you out of the copy..."
Not long ago, when Angel went to search the ocean of information in the Fruit of Power, although he did not find a lot of information about the Dark Corner, he did find another useful piece of information.
That is, the independence of hidden waters.
Although Hidden Waters is attached to the Modern City dungeon, it is independent of the dungeon most of the time.
When it enters the "independent" state, the ties with the Modern City dungeon will be minimized.
At this time, it is relatively easy to leave the secret waters and return to the Dream Crystal Origin.
This was also the reason why Angel was able to leave the Modern City dungeon smoothly without being bound by cause and effect.
By the same token, as long as Laplace is not contaminated by too much of the "cause and effect" of the Modern City and goes to the hidden waters, Angel can use the power of authority to fish her out of the copy.
Hearing this, Laplace, who was originally struggling with the choice, suddenly made up his mind.
Since he could leave midway without any worries, Laplace would naturally not hesitate any longer.
"Okay, I'll go to the Modern City dungeon with you."
As soon as he finished speaking, Laplace also logged off.
Angel returned to the manor hall, summoned Turing who was still immersed in the code, and held him in the magic hand.
From beginning to end, Turing hardly resisted and was obsessed with the code. Apart from confirming that it was Ingres, he just let him do whatever he wanted.
After doing all this, Ingres left the manor.
When he appeared again, he had already arrived at the entrance of the Modern City dungeon.
At this time, Laplace and Sigismund also came online. The location that Angel located for them was also the entrance to the Modern City dungeon.
Without hesitation, the three of them touched the crystal at the entrance to the copy at the same time.
With a feeling of weightlessness and sinking, the three of them entered the neon-lit modern city together...
……
Although Laplace had seen the prosperity of Modern City through Angel's live broadcast before, he still felt a clear difference when he actually entered Modern City.
The modern city in the live broadcast is gorgeous, prosperous, and full of exotic colors; but when you really come into contact with the modern city, you will find that the air is full of the strong smell of rust, moisture, and decay...
"Erosion? Smell of rust? ...Moisture?" Laplace suddenly thought of something and looked up. As expected, he saw the heavy rain.
She remembered that Angel mentioned that the rain in Modern City was... acid rain.
However, it was clearly raining and they had no roof over their heads, so why didn't the rain fall on them?
When Laplace was thinking this, he saw an invisible membrane above their heads, blocking the raindrops from falling.
She looked back and just happened to see Angel put his hand down, the afterglow still flickering on his fingertips.
Laplace immediately understood that it was Ingres who blocked the rain from the outside world.
Noticing Laplace's gaze, Angel said softly, "I just sensed that the connection between Companion Lake and the Hidden Waters is still stable. It is estimated that it can last for half an hour to an hour."
"This is the garbage dump in the North District. The nearest ring train station is on a nearby building." Angel pointed to a thirty-story building not far away that was still flashing neon lights.
"Let's go, hurry up, we should be able to arrive in twenty minutes by taking the city train."
Angel didn't give them much time to observe the city, but simply hooked his hand, signaling them to follow.
Laplace also understood that the most important thing now was to get Sigimund to the hidden waters first, so he quickly followed...